Biopic about André «Dédé» Fortin, lead singer of Les Colocs, who retreated to Saint-Étienne-de-Bolton to compose what would become the band's final album, Dehors Novembre. The film interweaves past and present, tracing the artist's journey between creative brilliance and the inner descent that led to his suicide in May 2000.
The art direction challenge: embodying two distinct time periods within the same space, making the wear and beauty felt simultaneously. A palette of cool greys, aged wood, and washed fabrics — each interior built as a layer of memory, between what was, what remains, and what will never return.
Criminal saga about the Montreal mafia in the late 20th century, directed by Daniel Grou.
A meticulous reconstruction of successive eras — the late 70s, the 80s, the 90s — with particular attention to dress codes, bourgeois interiors, and the spaces of clandestine power.
Police thriller directed by Damián Szifron (Wild Tales), starring Shailene Woodley and Ben Mendelsohn.
Art direction within a cold, clinical urban environment — brutalist architecture reinterpreted as geometric cages of power. Filmed in Montreal, transformed to embody a large, anonymous North American metropolis.
American comedy directed by Michael Angelo Covino, starring Dakota Johnson, Adria Arjona and Kyle Marvin. Two couples whose friendship unravels when the divorce of one collides with the open marriage of the other.
Art direction under production designer Stephen Phelps. Shot entirely in Montreal in the fall of 2024, selected for the Cannes Film Festival 2025.
Psychological thriller adapted from a play by Catherine-Anne Toupin, directed by Anne Émond.
Art direction in service of narrative ambiguity — three characters, three distinct spaces that gradually contaminate one another. Work on the materiality of bourgeois everyday life as a surface of uncanny strangeness.
Financial thriller inspired by the Norbourg scandal — the largest fraud in Quebec history.
Reconstruction of the corporate world of the 2000s: glass offices, luxury hotels, Westmount residences. Cold and clinical palette, hard lines. Luxury as the backdrop for deception.
Quebec horror comedy — a genetic mutation transforms the residents of a gated community into zombies.
A deliberate visual contrast between the sterile artificiality of the bourgeois residential neighbourhood and the organic degeneration taking hold within it. Art direction saturated with signs of disrupted comfort.
Comédie dramatique signée Myriam Bouchard, Mon cirque à moi suit une fillette qui se rebelle contre son père bohème pour obtenir une vie plus stable. Premier long métrage de la réalisatrice, tourné à Montréal en août 2019.
Thriller based on the Alain Olivier case — a Canadian man trapped in Thailand in the 1980s.
Work on contrasts — cold corporate Montreal vs. Bangkok's alleyways and Bang Kwang Prison. Realistic reconstruction of the Thai prison environment, with close attention to the textures of deprivation.
Portrait de Nelly Arcan, figure marquante de la littérature québécoise contemporaine. Direction artistique centrée sur les espaces intimes et la tension entre désir de reconnaissance et autodestruction.
Drama by Guy Édoin following four lives that intersect one night in Montreal, starring Monica Bellucci.
Production design within nocturnal Montreal — hospitals, hotels, Plateau streets. The city as a character in its own right, revealing solitudes that remain unaware of each other.
Production québécoise jouant sur les registres du réel et de la fiction. Direction artistique construisant des environnements à la limite du vraisemblable.
Dark comedy about crime fiction writers caught up in a plot beyond their control.
Art direction playing on noir fiction codes transposed into Quebec interiors — overstuffed bookshelves, dim lighting, morbid collectibles. The fictional universe encroaches on reality.
Psychological thriller directed by Stefan Miljevic.
Construction of opaque, labyrinthine interior spaces where threat takes hold in architectural details. Work on spatial disorientation as a reflection of the protagonist's mental state.
Quebec noir thriller, debut feature by Yan Lanouette Turgeon.
Immersion in Montreal's criminal underworld — warehouses, night bars, makeshift apartments. Desaturated palette, raking light. Space as territory to conquer or escape.
Adaptation cinématographique de la pièce de théâtre de Robert Lepage. Trois récits parallèles entrelacés, chaque espace conçu comme un fragment d’une même identité fragmentée.
Film québécois explorant la frontière entre intimité et étrangeté. Direction artistique travaillant sur l’ambiguïté des espaces partagés.
Christmas family film centred on the Quebec City Pee-Wee international hockey tournament.
Art direction balancing the warmth of family interiors against the cold rigour of arenas. Nostalgic reconstruction of a winter Quebec universe — cottages, locker rooms, outdoor skating rinks.
Film de Robin Aubert plongeant dans l’univers rural québécois. Direction artistique ancrée dans une esthétique austère et naturaliste, révélant la violence latente sous la surface du quotidien.
Thriller based on Patrick Senécal's novel — a young man held captive in a suburban home by a chess-obsessed psychopath.
Art direction of claustrophobia: an ordinary house transformed into an oppressive closed space. Every room calibrated to amplify psychological confinement. The contrast between a normal facade and interior horror.
Court ou long métrage québécois. Direction artistique pensée autour de l’atmosphère hivernale et de la tension familiale propre à la période des fêtes.
Drama adapted from Guillaume Vigneault's novel — six teenagers surviving a collective suicide.
Art direction of absence and grief. Empty spaces, silent houses, deserted residential neighbourhoods. An aesthetic of suspension — the after-world, frozen in incomprehension.
First feature film by Anaïs Barbeau-Lavalette. Jessy, 12, from the working-class Sainte-Marie neighbourhood in Montreal, finds refuge in the world of professional wrestling.
A raw and intimate portrait of youth on the margins, where the ring becomes the only space where he can exist fully.
Grand Prix at the Taipei Film Festival (2008). Selected at Busan, Berlin, and Goa.
Film by Patrice Sauvé.
The world of Montreal's streets and marginal communities. Art direction rooted in raw urban reality — lived-in natural settings, repurposed industrial spaces, the textures of precarious daily life.
Horror film by Robin Aubert — a journalist investigates disappearances in an isolated village.
Production design for a ghostly Quebec village. An aesthetic of abandonment and secrecy — shuttered houses, undergrowth, deserted communal spaces. Rural Quebec as the territory of the inexplicable.